Had I not opened up the email from a publicist, I might have
missed Susan K. Perry’s first novel, Kylie’s
Heel—and that would have been a shame. I opened the email because I recognized the author’s name
from her earlier, successful book about creativity, Writing in Flow (disclosure: I was among the writers interviewed
for the book, and was quoted, as I recall, a couple of times.)
With the plethora of books put out by publishers these days,
it’s hard for a first novel to attract attention, so let me pass this on to
readers: Kylie’s Heel is a terrific
read. It’s one of those books
whose well-devised plot makes it difficult to write about without spoiling
things for the reader. Let me just
say that it starts out as an empty-nest story, with Kylie’s dearly-loved, only
son graduating from high school, getting ready to go off to college—and heading
off, between times, on a goodwill mission to a far-off African nation, lured by
a rather ditzy, “Jews for Jesus” aunt and the evangelical church of which she
is a member.
Kylie is, let’s say it, a protective mother; and the first half
of the book has her worried sick for her son’s safety. The second half… well, read it for
yourself. What Kylie has to deal
with is more than should be required of any mother, and the way she deals with
it becomes the substance of the story: a full-fledged and deeply emotional
interior struggle that culminates in a flirtation—no, a love affair—with
thoughts of suicide. Perry
presents us with an entirely convincing, deeply moving portrait of a human soul
in conflict.
But there’s a lighter side to the story. Perry—and Kylie with her—has a quirky
sense of the absurdity of life.
Her character writes a newspaper advice column as The Rational Woman,
handing out wry nuggets of advice to those struggling with life’s
problems. Little does she expect
to be herself confronted so brutally with the irrational forces that beset her
correspondents. She owns and
manages a complex of cottages in the Silver Lake area of Los Angeles, and the
community in and around her home share her quirky human fallibility. We move in and out amongst them,
enjoying their idiosyncracies and their often odd relationships.
I happen to share Perry’s long-standing familiarity with
this district, centered around the reservoir which is often as silver as its
name suggests; and I found it a genuine pleasure to be driving those streets
with her, and visiting the street markets, the shops, and the restaurants I
know quite well. I think any
reader will share that pleasure, because Perry describes it all with such
poetry, such love, such attention to detail that it becomes alive.
Kylie’s “heel,” her Achilles heel—at least from the Buddhist
point of view—is her attachment: watching her, we are invited to contemplate the
devastating suffering it brings into our lives. Her salvation—again from the Buddhist point of view—is compassion:
the compassion of a fellow human being, whom at first she barely knows; and
eventually compassion for herself.
Please read Kylie’s Heel. I
promise you’ll be well rewarded.
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