Thursday, January 17, 2019

WHAT A GOOD BOY AM I

I was reminded last night of a project I have had in mind for years--the story of "a very English Childhood." I wrote a few lines this morning...


My earliest memories are not actual memories at all, they are memories of images in the family album that, aside from being the vicar’s wife, was for many years my mother’s primary passion. It was a huge, oversized tome with a dark blue cover and a glossy red spine, containing seemingly hundreds of pages—many of them filled with photographs, newspaper clippings, birth certificates and such, and many of them blank, awaiting further family news. It was a special treat to sit with her from time to time, turning the pages and listening to her stories. This, along with treasured moments in the big rectory kitchen, was perhaps the closest I ever came to knowing her.
There are three images that stand out in my memory of those moments. The first is a sepia tone photograph, a little faded, of my sister Flora and myself posed on our grandfather’s knee. I am perhaps a year and a half old, and my sister three. She is wearing a pretty smock dress, and her dark hair is bunched in loose curls around her head. I am in shorts and a white shirt. We are both wearing “smile please” smiles. My grandfather is the picture of elegance. He wears a tweed suit and a wing-collar shirt, with an ascot fastened by a pearl pin. His walrus mustache is neatly trimmed, and his eyes are smiling in harmony with his lips. Being now a grandfather myself, I understand the look of grandpaternal joy that his face and his body posture as well as his embracing arms express.
This is my father’s father. He died quite soon after posing for that picture, a few months later, of a heart attack, I think, on a business trip to New Zealand. He was a distinguished electrical engineer, mentioned in a professional journey alongside Marconi and nine other prominent innovators as one of the greatest pioneers in harnessing of electrical power for industrial and domestic use. I never knew him.
I never knew my father’s mother, either. She died long before I was born, when he was only thirteen years old and, as the oldest of three brothers, he and his sister Nancy were left with a bereft father—and responsibilities far beyond their age. My grandfather remarried. The grandmother I knew for just a few years before her own death was Granny Murcott, so named after the grand house she occupied at the far end of the village in my father’s parish, where our border collie, Hank, would run to fetch us children bags of sweets…
But I’m getting ahead of myself here. The second image is another photograph which does indeed feature Hank. He was a handsome and strikingly intelligent dog—witness his long trots to the other side of the village to bring us sweets!—who was a friend and guardian to my sister and myself in the course of our earliest years. I think to remember the time before I could walk, when Hank was taller and stronger and far more mobile than myself, reaching up to bury my little hands in his soft fur. That could be so. Here I am, in this picture, lying on my belly on a blanket in the garden of the vicarage in the small village of Holywell, just outside the city of Newcastle-upon-Tyne where I was born, and Hank is sitting upright right beside me, standing guard.
(As an aside, I note that I have always been inordinately proud of being a “Geordie”—a person born Tyneside, as a Cockney is distinguished by being born within the sound of Bow Bells. Having left the city with my family at the age of two, my claim is perhaps tenuous, and if I have the temerity to introduce myself as a Geordie to anyone from my native England, it will not be long before they point out that I lack the distinctive northern accent, largely unintelligible to anyone but other Geordies. I excuse myself with the joke that my accent, after many years in the United States, has finally made it halfway across the Atlantic.)
The third image is a newspaper clipping from the local Newcastle newspaper, dated somewhere around 1936, the year of my birth. It features a picture of my father, then a curate at the parish of St. Cuthbert’s, where I was born, bent over a treadle fretsaw, working on his lifelong hobby, working with wood. Trained as a pattern-maker in his pre-college days, he never lost his love of making things, often as gifts in the days when money was scarce and the generosity of gift-giving was a more personal expression than it is today. Here, intent on his work, he is wearing his clerical cassock with its narrow white dog collar—a token of his status as a “high church” Anglican. The wider the collar, in those days, the lower—i.e. the more Protestant—the church.
The caption in bold letters above this image reads “Hungry, Desperate, for Want of Two Shillings and Sixpence a Week”, and the article is about my father’s dedication to the needs of the poor people in his parish—mostly coal miners and their families suffering from severe deprivation in post-Depression days. My mother used to joke that it was Harry, her husband, who looks hungry and desperate; and indeed he does seem gaunt and harrowed. He was already suffering from the stomach problems that plagued him for his entire life, and for which no diagnosis ever discovered the cause. None of the many doctors he consulted—one of them in distant Switzerland—was able to provide relief, and my sister and I grew up with a father who was in constant pain.
(Another aside: my father, who had studied psychology at Cambridge, was a big believer in psychosomatic symptoms, and I have always wondered whether his skeptical mind was in conflict with his profession of religious faith. I know he struggled with his belief in the God he dedicated his life to serve, and suspect a spiritual torment at the root of his physical distress).
But again, I get ahead of myself. Bottom line, it was concern for my father’s health that led the doctor’s insistence that he leave the coal-dusty air of Newcastle and head south for better air.)

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